© Simon Pauly
© Simon Pauly

Attilio Glaser

– World management –

Attilio Glaser will make his debut as Ismaele (Nabucco) at the Staatsoper Hamburg in the current 2022/23 season, he will make his debut at the Deutsche Oper Berlin as Adorno in the new production of Verdi’s Simon Boccanegra and he will sing the title role of Wagner’s Lohengrin for the first time. This season he can also be seen at Deutsche Oper as Duca (Rigoletto), Rodolfo (La bohème), Don José (Carmen), Tamino (Die Zauberflöte) and Narraboth (Salome).


In 2021 Attilio Glaser made his debut as Steuermann in the new production of Der fliegende Holländer at the Bayreuth Festival and immediately received a re-invitation for the 2022 Festival, where he sang Froh in the new Ring production, Walther von der Vogelweide (Tannhäuser) and Steuermann again.


He is a member of the ensemble of the Deutsche Oper Berlin, where he can be heard in roles as Rodolfo, Ismaele, Alfredo (La traviata), Duca, Don Ottavio (Don Giovanni) Tamino (Die Zauberflöte), Narraboth (Salome), Alfred (Die Fledermaus), Froh (Das Rheingold) and Walther von der Vogelweide (Tannhäuser). In addition to his engagements at the Deutsche Oper Berlin, he sang in the 2021/22 season Don José (Carmen) at the Nationaltheater Weimar and the title role of Mozart’s Idomeneo at the Bern Opera. Further guest engagements have taken the tenor to the Frankfurt Opera and Zurich Opera as Werther, to the Vienna State Opera as Duca, to the Teatro La Fenice in Venice as Alfredo, and to the Teatro alla Scala in Milan as Narraboth and Da-Ud (Die ägyptische Helena), Walther von der Vogelweide and Narraboth at Dutch National Opera and Fenton in Nicolai’s Die lustigen Weiber von Windsor at the Opéra de Lausanne. For his role debut in the title role of Massenet’s Werther in Klagenfurt, he was nominated for Best Male Lead at the Austrian Music Theater Award in 2019.


Furthermore the artist devotes himself intensively to concert singing: with Bach’s Mass in B minor and Christmas Oratorio, Beethoven’s Missa Solemnis and Symphony N° 9, Dvořáks Requiem and Stabat Mater, Gounod’s Cäcilienmesse, Händel’s Judas Maccabaeus, Messiah and Saul, Haydn’s The Creation, Mendelssohn’s Elijah, Lobgesang and Paulus, Mahler’s Das klagende Lied, Mozart’s Great Mass in C minor and Requiem, Saint-Saën’s Oratorio de Noël and Verdi’s Missa di Requiem. Attilio Glaser has been a soloist at the Beijing Music Festival, Bergamo Musica Festival, Festival Beethoven 30° Aniversario del Palau de la Música in Valencia, Holland Festival, Max Reger Musiktage, Bruckner International Festival Linz, Rheingau Musik Festival and the Salzburg Easter Festival. He had his debut in Mahler’s Das Lied von der Erde with the Orchestre National du Capitole de Toulouse under the baton of Thomas Guggeis and made his U.S. debut in the spring of 2022 in Mozart’s Great Mass in C minor with the Los Angeles Philharmonic under the baton of Zubin Mehta.


He has been invited by orchestras such as the Akademie für Alte Musik Berlin, Koninklijk Concertgebouworkest, Münchener Kammerorchester, Filarmonica della Scala, Orchestra Filarmonica del Gran Teatro La Fenice, Orchestre de Chambre de Lausanne, Orquesta de Valencia, Radio Filharmonisch Orkest, Rundfunk-Sinfonieorchester Berlin, HR Sinfonierorchester Frankfurt, Bruckner Orchester Linz,  as well as the Sächsische Staatskapelle Dresden, and worked with conductors such as Alain Altinoglu, Andrea Battistoni, Łukasz Borowicz, Riccardo Chailly, Myung-Whun Chung, Daniele Gatti, Alexander Liebreich, Oksana Lyniv, Zubin Mehta, Franz Welser-Möst, Markus Poschner, Ivan Repušić, Ainārs Rubiķis, Donald Runnicles, Markus Stenz, Sir Jeffrey Tate, Christian Thielemann and Lorenzo Viotti.

September 2022 – For the most recent biography please contact Iris Jedamski