– World management –
Attilio Glaser made his debut in the current 2022/23 season at the Hamburg State Opera as Ismaele (Nabucco), he made his debut as Adorno in the new production of Verdi’s Simon Boccanegra at the Deutsche Oper Berlin and will also make his debut there in the title role of Wagner’s Lohengrin. In addition, this season he can also be heard at the Deutsche Oper as Duca (Rigoletto), Rodolfo (La bohème), Don José (Carmen), tenor solo in Verdi’s Missa da Requiem, Tamino (Die Zauberflöte) and Narraboth (Salome). With the MDR Symphony Orchestra under the baton of Dennis Russell Davies, he will perform Gustav Mahler’s Das klagende Lied at the 2023 Mahler Festival in Leipzig’s Gewandhaus and debut as Don José at the Stuttgart State Opera.
In 2021 Attilio Glaser made his debut as Steuermann in the new production of Der fliegende Holländer at the 2021 Bayreuth Festival and immediately received a re-invitation for the 2022 Festival, where he took on Froh in the Ring new production, Walther von der Vogelweide (Tannhäuser) and again Steuermann. He will also be heard as Steuermann and Froh at the 2023 Festival.
Attilio Glaser is a member of the ensemble of the Deutsche Oper Berlin, where he can be heard in roles as Rodolfo, Ismaele, Alfredo (La traviata), Duca, Don Ottavio (Don Giovanni) Tamino (Die Zauberflöte), Narraboth (Salome), Alfred (Die Fledermaus), Froh (Das Rheingold) and Walther von der Vogelweide (Tannhäuser). In addition to his engagements at the Deutsche Oper Berlin, he sang in the 2021/22 season Don José (Carmen) at the Nationaltheater Weimar and the title role of Mozart’s Idomeneo at the Bern Opera. Further guest engagements have taken the tenor to the Frankfurt Opera and Zurich Opera as Werther, to the Vienna State Opera as Duca, to the Teatro La Fenice in Venice as Alfredo, and to the Teatro alla Scala in Milan as Narraboth and Da-Ud (Die ägyptische Helena), Walther von der Vogelweide and Narraboth at Dutch National Opera and Fenton in Nicolai’s Die lustigen Weiber von Windsor at the Opéra de Lausanne. For his role debut in the title role of Massenet’s Werther in Klagenfurt, he was nominated for Best Male Lead at the Austrian Music Theater Award in 2019.
Furthermore the artist devotes himself intensively to concert singing: with Bach’s Mass in B minor and Christmas Oratorio, Beethoven’s Missa Solemnis and Symphony N° 9, Dvořáks Requiem and Stabat Mater, Gounod’s Cäcilienmesse, Händel’s Judas Maccabaeus, Messiah and Saul, Haydn’s The Creation, Mendelssohn’s Elijah, Lobgesang and Paulus, Mahler’s Das klagende Lied and Das Lied von der Erde, Mozart’s Great Mass in C minor and Requiem, Saint-Saën’s Oratorio de Noël and Verdi’s Missa di Requiem. Attilio Glaser has been a soloist at the Beijing Music Festival, Bergamo Musica Festival, Festival Beethoven 30° Aniversario del Palau de la Música in Valencia, Holland Festival, Max Reger Musiktage, Bruckner International Festival Linz, Mahler Festival Leipzig, Rheingau Musik Festival and the Salzburg Easter Festival.
He has been invited by orchestras such as the Akademie für Alte Musik Berlin, Koninklijk Concertgebouworkest, Münchener Kammerorchester, Filarmonica della Scala, LA Philharmonic, Orchestra Filarmonica del Gran Teatro La Fenice, Orchestre de Chambre de Lausanne, Orchestre National du Capitole de Toulouse, Orquesta de Valencia, Radio Filharmonisch Orkest, Rundfunk-Sinfonieorchester Berlin, HR Sinfonierorchester Frankfurt, MDR Symphony Orchestra, Bruckner Orchester Linz, as well as the Sächsische Staatskapelle Dresden, and worked with conductors such as Alain Altinoglu, Andrea Battistoni, Łukasz Borowicz, Riccardo Chailly, Myung-Whun Chung, Daniele Gatti, Thomas Guggeis, Alexander Liebreich, Oksana Lyniv, Zubin Mehta, Franz Welser-Möst, Markus Poschner, Ivan Repušić, Ainārs Rubiķis, Donald Runnicles, Markus Stenz, Sir Jeffrey Tate, Christian Thielemann, Lorenzo Viotti and others.