– World management –
Soprano Mandy Fredrich returns to the Teatro del Maggio Musicale Fiorentino for the 2021/22 season in Beethoven’s 9th Symphony and Haydn’s The Creation and Schubert’s Mass in E-flat Major under the baton of Zubin Mehta. At The Royal Danish Opera, Mandy Fredrich made her house debut at a very short notice as Marguerite in Gounod’s Faust, before returning to Copenhagen this season as Donna Anna in Mozart’s Don Giovanni, conducted by Julia Jones and directed by John Fulljames.
Her planned collaboration with Riccardo Muti as Donna Anna in Naples and Florence in 2021, the return as Frau Fluth (The merry wives of Windsor) to the Staatsoper Berlin, Marguerite at the Staatsoper Stuttgart, and her house debut as Agathe (Der Freischütz) at the Lyon Opera have unfortunately had to be cancelled due to the Corona pandemic.
She returned to the Staatsoper Berlin in October 2020 as the Queen of the Night (The Magic Flute), where she enjoyed another great success in the 2019/20 season as Frau Fluth in the new production of Otto Nicolai’s The merry wives of Windsor under the music direction of Daniel Barenboim.
Prior to that, the artist made her highly successful house debuts at the Vienna State Opera, in London at the Royal Opera House as Marguerite and she debuted at La Scala in Milan with 3 operetta gala concerts. In the 2018/19 season she sang again at the Berlin State Opera as Marzelline in Beethoven’s Fidelio.
In 2017/18, the artist performed Donna Anna (Don Giovanni) at the Stuttgart State Opera, Cologne Opera and the Semperoper Dresden, she also sang the soprano part in Mozart’s Requiem with the Dresdner Kreuzchor. Her role debut in that season as Agathe (Der Freischütz) in Stuttgart, become a special personal milestone.
In 2016/17 Mandy Fredrich made a highly successful debut as Marguerite in Stuttgart, where she also sang the Contessa (The marriage of Figaro). She took on the role of Micaëla in a concert performance of Carmen by MDR at the Leipzig Gewandhaus. The Bregenz Festival has invited Mandy Fredrich as Amaltea in Rossini’s Mosé in Egitto.
Her engagements in 2014/15 and 2015/16 took her to the Berlin State Opera, the Bavarian State Opera, Budapest, Abu Dhabi, Geneva, the Bregenz Festival and Stuttgart as the Queen of the Night, Fiordiligi (Così fan tutte), Micaëla (Carmen) and Antonia (The Tales of Hoffmann).
In 2013/2014 Mandy Fredrich was engaged by the Moscow Symphony Orchestra and at the Lugano Festival for Lobgesang by F. Mendelssohn Bartholdy. She appeared at the New National Theatre Tokyo as Contessa, at the Hamburg State Opera as Donna Anna and at Teatro del Frutillar/Chile as the Queen of the Night. She returned to Stuttgart Opera as Iphigénie in Ch. W. Gluck’s opera and sang orchestral songs by R. Strauss for the first time at Teatro Verdi in Trieste.
In the 2012/13 season, her role and house debut as Iphigénie at the Stuttgart Opera generated great enthusiasm among audiences and the press. This was followed by an invitation as Donna Anna. She also sang the Queen of the Night at the Hamburg State Opera and the Palau de les Arts Valencia.
The soprano made her celebrated debut at the Salzburg Festival in 2012 as the Queen of the Night under the baton of Nikolaus Harnoncourt. Fredrich debuted at the Zurich Opera House as Prima Donna in Le convenienze ed inconvenienze teatrali by G. Donizetti, at La Scala in Milan as the Guardian of the Threshold (Die Frau ohne Schatten) and at the Deutsche Oper Berlin as Contessa and as Novice in Marie Victoire by O. Resphigi.