© Katerina Kepka
© Katerina Kepka

Anett Fritsch

– World management –

In the 2020/20 season Anett Fritsch sings Donna Elvira (Don Giovanni) at Teatro Real in Madrid and Almirena in Rinaldo at Opéra de Lausanne. In the 2019/20 season Anett Fritsch returned to the Dutch National Opera & Ballet Amsterdam as Fiordiligi (Così fan tutte), to Berlin State Opera in Purcell’s King Arthur and as Pamina (Die Zauberflöte) at Teatro Real in Madrid.


Anett Fritsch studied at the Felix Mendelssohn Bartholdy Music Academy in Leipzig with KS Prof. Jürgen Kurth. In 2001 she was awarded the first prize at the Johann Sebastian Bach Competition in Leipzig. She was a laureate at the international competition of the Chamber Opera at Schloss Rheinsberg in 2006 and 2007, where she sang the parts of Despina in Mozart’s Così fan tutte and Adina in Donizetti’s L’elisir d’amore. In the season 07/08 the Oper Leipzig engaged Anett Fritsch for various parts. From 2009 to 2015 Anett Fritsch was part of the ensemble of the Deutsche Oper am Rhein Düsseldorf/Duisburg, where she sang among others Pamina (Die Zauberflöte), Blanche (Dialogues des Carmélites) Konstanze (Die Entführung aus dem Serail) and Marie (La fille du régiment).


Anett Fritsch had a great success giving her debut at the Glyndebourne Festival with the part of Almirena in Händel’s Rinaldo and with the part of Merione in Gluck’s Telemaco at the Theater an der Wien. She also made a triumphant debut as Fiordiligi in Così fan tutte at the Teatro Real Madrid, a production which was also very successful at the Théâtre de la Monnaie in Brussels and in 2014 appeared at the Wiener Festwochen. The tour through Europe as Cherubino in Le nozze di Figaro with René Jacobs and the Freiburger Barockorchester received a great international response. In 2014 Anett Fritsch made her debut at the Salzburg Festival as Donna Elvira in Don Giovanni, in 2015 she returned to Salzburg as Contessa in Le nozze di Figaro, in Munich she sang Susanna (Le nozze di Figaro).


At the Teatro Real in Madrid she appeared as Contessa and Marzelline (Fidelio). To Santiago de Chile she was invited for Pamina, at the Theater an der Wien she sang Contessa and Mrs. Ford in Salieri’s Falstaff. Further she appeared as Ginevra (Ariodante) in Amsterdam, followed by Susanna in Toulouse and Donna Elvira again in Amsterdam. The artist returned to Salzburg for Contessa and sang the same role at the Liceu Barcelona. The Berlin State Opera invited her for their new production of King Arthur, at the Scala Milan she debuted as Donna Elvira and appeared as Emma in Fierrabras and as Arminda in La finta giardiniera. In Bilbao Anett Fritsch sang Marzelline in Fidelio, in Madrid Ilia in Idomeneo.


March 2021 – For the most recent biography please contact Katharina Nußbaum