– World management –
Sylvie Brunet-Grupposo was born in France.
Her repertoire covers important roles of the Grand Opéra, among others Cassandra/Didon (Les Troyens) and Sélika (L’Africaine), furthermore Dalila (Samson et Dalila), Charlotte (Werther), Carmen and the Verdi and Wagner parts from her fach such as Azucena (Il trovatore), Ulrica (Un ballo in maschera), Eboli (Don Carlos), Miss Quickly (Falstaff), Fricka/Waltraute (Der Ring des Nibelungen) and Venus (Tannhäuser). After her debut in Paris with the title role in Carmen, which she later performed in important theatres in Turin, Bonn, Toronto and others, she was invited by renowned opera houses such as Teatro alle Scala in Milan (title role in Gluck’s Iphigénie en Tauride), Opéra national du Rhin in Strasbourg (Nurse in Ariane et Barbe-Bleue), Théâtre du Châtelet Paris (Padmâvatî by Albert Roussel), Théâtre de la Monnaie in Brussels (Geneviève in Pelléas et Mélisande, Gertrude in Hamlet, Madame de Croissy in Dialogues des Carmélites and Azucena/Trovatore directed by Dmitri Tcherniakov); Bavarian State Opera (Madame de Croissy/Dialogues des Carmélites), as well as by the Festival in Aix-en-Provence (Octavia in L’incoronazione di Poppea). Further projects of the recent past include engagements at the Opéra national in Paris (Sancta Susanna), at the Théâtre de la Monnaie in Brussels (Pénélope, Dialogues des Carmélites), in Luxemburg and Tokyo (Pelléas et Mélisande) and at the Teatro Real Madrid (Gounod’s Faust). In the 19/20 season she appeared in Les Contes d’Hoffmann in Brussels and Paris and as Phèdre at the Opéra Comique in Paris in Rameau’s Hyppolite et Aricie.
She is also a sought after concert singer and regularly appears on numerous international stages, such as Berlin Philharmonie (Faust et Hélène by Lili Boulanger), Munich Philharmonie (Les Nuits d’Été by Berlioz) or Royal Festival Hall in London (Messa da Requiem by Verdi).
January 2021 – For the most recent biography please contact Ms. Katharina Nußbaum