– World management –
Albert Dohmen can look back on a long international career with a first highlight in 1997 performing Wozzeck at the Salzburg Easter and Summer Festival with the Berlin and Vienna Philharmonic Orchestras conducted by Claudio Abbado and directed by Peter Stein. He subsequently worked with famous conductors such as Zubin Mehta, Giuseppe Sinopoli, Claudio Abbado, James Conlon and many others. Albert Dohmen has been interpreting the important roles of his fach (like Kurwenal, Pizarro, Wotan, Amfortas, Holländer, Scarpia, Bluebeard, Hans Sachs) at all major opera houses such as the Bastille in Paris, Covent Garden, the Bavarian State Opera, at the opera houses of Zurich, Amsterdam, the Liceo Barcelona, the Vienna State Opera, the opera in Los Angeles etc. He made his debut at the New York Metropolitan Opera as Jochanaan / Salome.
Albert Dohmen established himself as one of the leading Wotan singers of his generation. He sang this part in complete Ring cycles in Trieste, Geneva, Catania, at the Deutsche Oper Berlin and the Vienna State Opera, at Nederlandse Opera Amsterdam and at the MET, just to name a few.
Recent highlights include his debut as Hans Sachs / Meistersinger von Nürnberg in Geneva and Barcelona, as Gurnemanz / Parsifal in Geneva, as Barak / Frau ohne Schatten in Florence under the direction of Zubin Mehta as well as productions Elektra / Orest in Baden-Baden under Christian Thielemann, Salome / Jochanaan in Amsterdam, Don Giovanni / Commendatore at the Vienna State Opera, Flying Duchman/ Daland in Paris, Falstaff in Stuttgart, Tristan/ König Marke in Barcelona and Meistersinger/ Pogner at La Scala in Milan.
Albert Dohmen made his debut at the Bayreuth Festival 2007 performing Wotan / Wanderer in the Ring cycles with revivals in the following years. At the 2022 Bayreuth Festival he made his debut as Hagen / Götterdämerung and Landgraf / Tannhäuser.
Albert Dohmen is also a very successful concert singer: He has sung the entire bass repertoire from Bach to Schönberg in all important concert halls and at international festivals, for example Beethoven´s 9th symphony under Kurt Masur at the New York Philharmonic Orchestra, Brahms´ Requiem, again under Kurt Masur at the St. Denis Festival, Mahler´s 8th Symphony under Valery Gergiev and Gurre-Lieder, Beethoven’s 9th under James Levine. He also has various recital programmes, which he can be hears with in the renowned concert halls.
Among the numerous CDs documenting his artistic output, special mention should be made of his recordings of Zemlinsky’s Florentine Tragedy with the Concertgebouw Orchestra conducted by Riccardo Chailly and his three recordings under Sir Georg Solti (Frau ohne Schatten, Fidelio and Meistersinger).